Thursday, September 24, 1981

Saturday, September 19, 1981

Slander - "Hemi-Conscious" LP

SLANDER represent part of Hamilton’s unwritten past. And it is kind of crazy because they were one of a few bands to get a full length out back in 1981. That is a feat unto itself. But they had a lot of other things stacked against them. They weren’t entirely well liked among their peers. There was an animosity that existed between some members and TEENAGE HEAD. And yet somehow they incorporate part of the TEENAGE HEAD sound, which makes me think that there is something in that Hamilton harbour water. Songs like “No Place to Go” exhibit the bands shared love for 50’s rock ‘n roll, which was a big signature on TEENAGE HEAD’s sound. And this is not the only band’s cover. They do a Neil Diamond song that was originally written for the Monkees in “I’m a Believer”. They cover “House of the Rising Sun” by the ANIMALS. They even did a cover of the BEATLES “8 Days a Week” which in an era where the Viletones chanted “No More Beatles, No More Stones, We want the Viletones” was a pretty ballsy thing to do. Either that or stupid. The band also displays a FORGOTTEN REBELS sound which makes sense given that the key guitar player was originally in the REBELS. But there is also lots of Johnny Rotten inflections in the lyrics like “I want you’re woman to be free”. There was 5,000 of these pressed and the members never saw a dime. This is the age old story within the music industry. It’s just that this guy Bill McDowell wasn’t industry. He may have had money but he didn’t have the record industry apparatus around him. That didn’t stop him from being a dick to this band. Seems like management was a curse in this instance and so many others. But there was a record that did come out. And North Shore Records was named after the posh area of Burlington that Bill was from. And there are some great originals like “Jail-Bait” or the ode to Hamilton in “Rockin’ on Main Street”. A blog named "Girls from Tahiti" has a download of this out of press full length. The songs are:

1. Destination
2. Jail- bait
3. Good Thing
4. No Particular Place to Go
5. 8 Days a Week
6. I Need You
7. I Want Your Woman
8. Petticoat Junction
9. Rockin’ on Main Street
10. House of the Rising Sun
11. The Pigs
12. I’m a Believer
13. Upside Down
14. Ghetto
15. It’s Over

Friday, September 18, 1981

Flyer - Thursday September 17 - Saturday September 19, 1981

Thanks to Karen Jankulak for digging this one up.

Saturday, September 12, 1981

Flyer - Saturday September 12, 1981

Here is a flyer for a Rock Against Racism benefit at 300 Bathurst Street. The Young Lions played with UK Reggae artist Horace Faith for a Punky Reggae Party.

Saturday, September 5, 1981

Zine - Civil Disobedience

 
Civil Disobedience is a Toronto punk fanzine. This might be an earlier issue, but it came out after August 6th, 1981 because there is a reference to a Globe and Mail article, which was the inspiration behind a piece on nuclear war.

- This issue starts out with a collage on a Poison Girls song;

- There is another collage piece critiquing gender roles as related to masculinity;

- There is a review critiquing the film "D.O.A.";

- There is a collage on TVs;

- There is a collage for the Dead Kennedys song "Holidays in Cambodia"; and

- The back cover is a collage of headlines with the questions about why more people aren't punks given how crappy the world is.

You can download a copy of this issue here.

Monday, August 31, 1981

Zine - Smash Media, August '81

This is Smash It Up for August 1981. Cover art designed by Noxious Art.

Sunday, August 30, 1981

Zine - Stir It Up


https://archive.org/download/StirItUp-81-08/81-08-stirItUp.pdfStir It Up looks like a version of Nick Smash's Smash It Up. Stir It Up is pretty close in name and would be a clever play on the name Smash It Up. And there is lots of reggae content inside this issue which justifies the Bob Marley song title. In fact there is a review of a Bob Marley tribute concert inside that took place at a club that I have never heard of called Fourth World (167 Church Street). The show took place on May 17th which is close to Bob marley's birthday and featured Toronto reggae acts Truths and Rights, 20th Century Rebels, and Leroy Sibbles.

There is other reggae content like the intro and quick interview with a white reggae band called the Customers. There is a piece on another little known band Bloodfire. And there is an interview with the drummer from Steel Pulse, which may be the same interview as the one found in Rebel Music.

Interestingly, this issue also features a lot of punk bands that had reggae influences like Stiff Little Fingers or had interesting bass sounds like Gang of Four. The zine starts out with an interview with JJ Burnell from the Stranglers who I learned recently tried to play bass like he was performing at a Jamaican dancehall. The interviewer wanted to find out how much they were into UFO theories with the Meninblack theme. But JJ really wanted to discuss the validity of sub sonic sounds which is really about getting back to his thoughts on bass playing when you think about it.

There is a handwritten interview with Andy Gill who plays guitar in Gang of Four. They played a number of times in Toronto and this show was on Canada Day in 1981.

There is a review on a show that closed the Edge, which had a certain Last Pogo symmetry to it because it was he garys and it was the club they went to after they left the Horseshoe which was signified by that Last Pogo show.

There is an interview with Teardrop Explodes that looks like it is printed on fullscap and the quality is difficult to read. Someone had access to school equipment. There is a review section which fits in with a lot of new wave releases that came out at the time. I totally enjoyed reliving those and they included reviews of the Cramps, the Stray Cats, Killing Joke, Kraftwerk, Simple Minds, Pig Bag, Siouxie and the Banshees, Wasted Youth, Dead or Alive and Basement 5, which is the first review I have ever read of Basement 5. This demontrates how broad the spectrum of punk was back then. It also explains the interview with Kinetic Ideals which is the only interview i have read of the band. They were a new wave band from Mississauga, who had their own release and I would see their flyers when I was first getting into punk. And this is one of the things that I really appreciate about the zine. it covers lots of old Toronto punk including ads for old punk stores like the Record Peddler or Vortex or even Hot Wax, which I never heard of.

There is a great piece on a Stiff Little Fingers show that sounds like it was a regional appearance because kids from Montreal came down to see it. The show was at the El Mocambo and the piece spends a lot of time slagging the bouncers who weren't letting kids in. Some of those kids started a fire in the back alley of the club and the fire department got called, but it didn't seem to effect the show. The show happened on Monday June 29th (1981).

This issue also has the best interview that i have ever read with Vancouver's DOA. The interview has Joey Shithead, Randy Rampage, Dave Gregg, and Chuck Biscuits.

There is also an interview with a little known band rom Pittsburgh called Carsickness. They came up to the play with the Fall.


Thanks to Dhaibid James (Moondog Ballroom) for the loan of the issue to scan and put up.